Category Archives: Personal

Not from Here

Check out my novel Not from Here and let me know what you think.

For the last couple of years, I’ve been spending most of my time doing rewrites to this novel and now, it’s finally finished. Of course no creative work is ever truly finished, at least not until it’s between covers in a bookstore, or behind a frame in a gallery, or the artist is dead. But now I feel that the novel is quite close to the final form in which it will appear commercially, if and when that happens. If I have to drive around the U.S. selling it out of my trunk on streetcorners, it will happen, but let’s try the more conventional routes first.

Not from Here is the story of a young musician, Anton, who escapes from his stifling small town to go to the city, where he tries to change the world with his music. It’s also the story of his unbreakable friendship with his alter-ego, Timmins, a reclusive artist whose paintings come true. And it’s the story of his discovery of shadowy forces that manipulate society on every level, through politics, the media and even our friends, who might be spying on us without even realizing it. At first Anton is helped by this conspiracy because they need him to stir up the youth, but as he comes to understand its goals, he decides he must fight it, expose it and try to destroy it. Will he succeed?

This novel is a coming of age story, a story of friendship and betrayal and the end of the world. In short, it has everything, an entire universe crammed into 450 pages. I spent several years working on Not from Here, so I respectfully ask you, my friends and readers, to take a few days to read it, give me your supportive and critical comments, and recommend it to friends.

Now that I’m finished with this, I’ll be traveling to New York, Paris and then Morocco, where I’ll be in time for the Gnaoua Festival at the end of the month. Readers of this blog who would like to see me while I’m in Morocco are requested to contact me at write[at]eatbees.com, or leave your contact information in the comments below.

War Again

Like many, I feel sad about what’s been happening in Gaza over the past few days.

This sadness turns to anguish when I read the one-sided coverage in the American media, which never wavers from Israel’s “right to defend itself” and blames Hamas even for civilian casualties.

For the issues and arguments, I’ll defer to Palestinian leader Mustafa Barghouthi, who knows what he’s talking about.

It seems like the war will continue for many more days and weeks. I wish Israel a similar outcome to their 2006 adventure in Lebanon.

Citizen of the Blogosphere

I was interviewed last spring by blogger Reb (Rebecca Robinson) for her graduate school project, which looks at political Islam and its relation to the Moroccan blogosphere. We talked for quite a while, and she is beginning to post excerpts of the interview on her blog. The first excerpt argues that because Islam encourages free thought and individual responsibility, it is compatible with democracy. I’ve written about this before here, and less directly, here and here. Here is the quote Reb pulled from our interview.

    The Qur’an emphasizes an individual’s personal responsibility for his actions. The idea is that God gave us the Qur’an as a complete understanding—well, it’s not a complete understanding, but it’s all that human beings would need to understand about God…so we are required to interpret it for ourselves…because another thing that the Qur’an emphasizes is that no one is going to stand in for us on Judgment Day. We are each going to face God alone based on our own actions. It’s like the Christian idea that all people are created equal in the eyes of God—this is the basis for the democratic system. So I don’t see any contradiction between Islamic ideas and democracy or the responsibilities of individuals within a democratic system to define right and wrong. I don’t think the imam can do it for us, and I don’t think the Qur’an has answers to every possible situation…. It’s sort of like when Christians ask “What would Jesus do?” They use that analogy, but Jesus didn’t do everything possible. He did some things, so they say, “What would he do in this other situation that we don’t have any record of him being in, based on the situations that we do know about?” It’s the same thing. The Qur’an doesn’t give instructions for every possible situation. We have to be our own judges. I think this is consistent with a democracy. I think the religious influence from the mosque about specific customs and festivals…that’s a private affair that is separate from the running of the state. When you get to the bottom of the state, each individual has his conscience based on his moral system just like a Christian, a Jew, or even a pagan would.

If you are a Moroccan blogger (or blog about Morocco) and would like to participate in Reb’s project, feel free to contact her by e-mail. You can also find more information about her project in this interview she did with Jillian York of Global Voices.

Oh, and I got an award! The real honor isn’t the award itself, but that it was offered to me by the always discerning Homeyra, who blogs about culture and politics from Tehran. Don’t miss this chance to get to know Homeyra and the other folks she considers Kick Ass Bloggers. (There are five of us.) Trust me, Homeyra’s friends should be yours as well.

I’m supposed to pass this award on, so I will tag Hicham, Reda, Mounir, Bouba and Ayoub. All of these bloggers have inspired me repeatedly with their thought-provoking posts. If some of them have been sleeping lately, it’s not my fault! And here’s the obligatory link to the originator of the Kick Ass meme.

The Artist-Squatters of Paris

It is my pleasure to announce a show of photos documenting the artistic squats of Paris, where I spent most of my time from September 1991 to October 1992. (A squat is an abandoned building where people live without paying rent.) The show is at Firestorm Cafe & Books, an anarchist collective in downtown Asheville, North Carolina. For those of you who live in the area, it is at 48 Commerce Street. Stop by before August 15 for an experience of creative anarchy: portraits of the squatters and their modern primitive lifestyle, texts I wrote while living there, drawings and flyers, and a wall of burned contact sheets destroyed in a fire. My thanks to Alexei and Shannon for helping to make the show happen. For those of you who can’t make it, I hope this post will give you a small taste of what you are missing.

I’ve reached the center of the war zone finally, where my dreams begin. A sacred garden in the heart of the city. A people who call themselves angels. This is the life we imagined for ourselves when we were children: now we are in France and the police are interested in who I am.

I feel like I’m living in an ant colony, in which everyone has their specialized functions and roles, defined somehow by the unanimous consent of the group. There seems to be little tension as to who will take which role. Indeed it’s pretty much up for grabs, to do with as you like: although courtesy is important, and I don’t think they want any skinhead thrashers here.

I can’t think of any squatter I don’t like, although their studied indifference is at times baffling. The fact is, you wish that people who care about something would just come out and admit it, and fight for the right to do it—in a direct way, not sullenly—and help each other in this effort.

Everything here is impressive and pitiful at the same time. I don’t know how to explain it: a series of pathetic gestures which are nevertheless beautiful, and it is their choreography that makes them beautiful. Meanwhile everyone is going around on an empty stomach, looking like ghosts and smoking hashish.

—September 1991

It is anger that feeds our existence now. It is our shared anger that draws us closer together as a family. It is very hard to be a chronicler of an event like this, because everything that is happening is real.

Our community is suffering a great deal from the fire, which happened in the middle of the night and left us no time to prepare. About a hundred people were part of the Château, and all records of our existence—the work itself, our tools and personal belongings, clothes, journals and so on—were lost, either burned in the fire or confiscated afterwards. Now we have no place to live, and must face the day in plain view of an indifferent public, without the chance to resume our work any time soon. As a community it will take us several months to rebuild what we have lost. Do you, the public, want us to simply disappear? Or would you like us to resurrect ourselves, and the spark of life we bring to this otherwise dead city?

How to accomplish a long-term struggle? Either we are in it for the long haul, or we are not in it. That is what each of us must decide for himself or herself. Myself, I hope that the best of us will remain in it. How could it be otherwise? There is no way to go back to before the fire, to erase this incident from our memory. Now we will see who our real friends are.

—February 1992

VOLUNTEERISM: A SHORT MANIFESTO

The idea that I would like to present for your consideration is that we are volunteers.

All poetry aside, we are simply a group of people who have chosen to do something in the public interest without being paid.

In a society such as ours, one assumes that work has value only if it is paid. When one works without being paid, it is said that one works for nothing.

The inherent value of our work is a direct attack on the notion that money is the source of all value.

The other interesting thing about us is that we work without waiting to be asked. We see where we can be useful and we begin to work.

It strikes people as strange that we offer a solution where they did not realize there was a problem!

—March 1992

I went to see the new squat that opened last week. Some people were working downstairs to clean up debris and secure the door, which was a large sheet of glass. Sara met us and led us upstairs, through the large painting-studios-to-be and around the central courtyard to the kitchen on the top floor, where people began to play the guitar and paint. Later she gave us a tour of the whole building. There are five floors in all, the top two floors being made up of small rooms ideal for living in, and the next two consisting of very large rooms perfect for painting, sculpture or other activities. In one spot a small attic of two or three rooms forms an additional story inhabited only by pigeons. There is also an extensive cellar of stone vaults.

Back on the ground floor, the clean-up work was proceeding with ingenious speed because everyone spontaneously found something to do. In about twenty minutes a large hole in the floor was filled in, all the debris was arranged in stacks along the walls, and the floor was swept. Besides this, the electricity was already restored throughout the building. Some people went home to their respective squats to sleep, and others decided from that moment to stay and share the life of the new squat. Sara exulted: “At last we’ve found a building with the right kind of space for all or us to live together and have a place to work.”

—March 1992

What is this community where I’m living now? We are a group of creators who work in each others’ presence, who share a daily life in which creation plays a vital role. We have relations among ourselves that are almost too intimate and honest, so to protect ourselves we throw up barricades that make us difficult to know, especially to outsiders, but also to each other. We live surrounded by the evidence of our creation, and also by the refuse of our daily life which is never effectively removed: dirty dishes, the smell of piss in the bathroom, discarded magazines. In fact, the two blend into each other, so that the art we make becomes dirty and sad, without our garbage becoming more artistic.

I think the reason for the insecurity that is obvious among us—the perpetual challenges we make to one another, the disappearance of small objects such as lighters or pens, the fact that our projects rarely reach a conclusion—is that we haven’t succeeded in persuading the society around us of the necessity of our presence. We know among ourselves that we are creating something important, yet each morning we wake up to a gruesome reality: persecuted, chased from one location to another every few months, too poor to participate in the life outside our doors, barely tolerated by our neighbors and the shopowners of the district…all this is in stark contrast to the talent and goodwill that are perpetually trying to surface among us. I’m convinced that despite our continual talk of rejecting society and “the system,” our deepest wish is simply to be accepted for what we are.

—August 1992

Until Then….

Regular readers will have noticed that I haven’t been posting here with the regularity that I did back in 2007. That’s because I’ve been spending my time on other projects that I want to finish before returning to Morocco before the end of the year. I’ll continue to write new blog posts whenever I feel the urge, but I want to let you know that the real action is on other parts of this site. All my works in progress are visible somewhere on eatbees.com, so I hope you’ll visit them and then leave a comment here to let me know what you think!

  • Not From Here, a novel about an young musician who wants to change the world with his music, who instead ends up in a hidden network that seeks to control people’s lives without their knowledge.
     
  • Morocco: A Cruel Country, a photo essay that offers a slice of Moroccan life, neither glamorized nor sensationalized, from my travels there in 2003–2006.
     
  • Radiant Days, a collection of short fiction, nonfiction and poetry—mostly early work—arranged in a nonlinear fashion that allows you to experience the work in a new way each time you visit.

For those of you who still prefer blogging about current events, don’t forget to check the post below this one to see if it is new, or check out my page of favorite posts from 2007.

Give Me Olive Trees

I’ve decided I’d like olive trees like these outside my front door.

Their color, the sound of the breeze in them, and of course the olives themselves are all very important.

Wildflowers in springtime would be nice too.

Here’s the whole photo. I’m with my friend Mohamed in his village near Fez, in the spring of 2005.

Fez is nestled into a large, bowl-like valley in a rich agricultural area, but due to many consecutive years of drought, and I suspect appropriation of the best lands to benefit the rich and well-connected, it is hard to survive any more through traditional farming. As a result, many people have moved to the city in search of work, and Fez has exploded in size to well over a million people. Meanwhile, Mohamed’s village has hollowed out. I’m told that nearly all the young men are gone, many of them to Italy, where they work in agriculture as they would back home. In summer they return with their Italian girlfriends or wives, and eat spaghetti in the village’s only cafe. Then they are off again, already more adapted to the Italian lifestyle than their own.

Here’s another thing they have in that region, fava beans or “fool.”

Orphan Wisdom

Where did I get this understanding? I don’t remember. No teacher taught me it, or many did. I improvised it through contact with friends, and by testing myself in the world. Slowly, over time, certain patterns emerged, confirmed in books, and I came to realize that I understood. But who is my teacher? The world is my teacher, and my own heart.

In or Out?


Christopher McCandless and Ernesto “Che” Guevara

A few months before leaving Morocco last fall, I remember trying to explain to my best friend a dilemma that has confronted me throughout my life, and that I have never fully managed to resolve. I told him that I feel pulled in two different directions in response to injustice in the world. One instinct is to withdraw and seek an island of inner peace. I want to live in some isolated place, perhaps on the slopes of a volcano near the ocean, raising bees, with a few olive and almond and lemon trees nearby, trading with neighbors for whatever essentials I can’t produce for myself, having conversations with people who come to visit me from far away, and spending most of my time reading and reflecting on what I’ve read. A variant on this theme, the nomad version, involves traveling from Turkey to India on foot, across the desert of Iran and the mountains of Kashmir, meeting people and writing down my impressions in a book which someone will discover centuries from now, after famine and war have destroyed the world we know and it is reborn in a new form.

The instinct pulling me in the opposite direction is engagement. However appealing it may be for me to drop out in the way I’ve described, I feel there is something selfish about it, since even if such an island of happiness is possible, the only person’s problems I would be solving are my own. It’s true that for those who come in contact with me I might be making things a little better, but meanwhile the cruelty of empire and the ignorance of the masses would continue their downward spiral, and I would be doing nothing to change that. Having seen inequality firsthand, do I have the right to ignore it? Is it fair that my friends in Morocco have no chance to get a decent education, vote in a meaningful election, or find work that matches their abilities, all because of the accident of their birth? Is it fair that they don’t have the right to speak truth to power without fear of being brutalized by police or thrown in jail? Is it fair that they can’t cross the same borders I can cross, to look for opportunities they aren’t offered at home? If another world is possible as the slogan goes, shouldn’t I be doing everything in my power to make that happen? Shouldn’t I find a movement for global equality and lend it my energy and my voice?

When I told my friend about these conflicting instincts, to engage in the world or to withdraw from it, he replied that it is a false choice. In reality, the two extremes are blended. To insist on one or the other is a distortion of the truth. I told him it is impossible for me to choose in any case, because both extremes pull at me with equal force. I know I won’t be satisfied with whatever peace I might find in withdrawal from the world, since it would be dishonest to pretend that the world’s problems had gone away. On the other hand, involvement in social causes can be a recipe for despair, because no matter how hard we work, there is always more to do. Those who dedicate themselves to this sort of struggle never last long unless they learn to step back and catch their breath. Perhaps this is why Gandhi and Martin Luther King both claimed a benefit to their time in prison, because it gave them a rare opportunity to think.

I’ve been struggling with these two extremes with more intensity lately, because blogging no longer satisfies me as it once did. In theory, it’s the ideal compromise between “in” and “out,” solitude and engagement, because it lets me participate in the global community without leaving my house. But blogging won’t stop the Israelis from cutting off electricity in Gaza, or Musharraf from rounding up his opponents in Pakistan, or Blackwater from shooting innocents in Iraq. It won’t get two hundred thousand peace marchers to Washington, or organize factory workers in Indonesia. Nor does it allow much time for inner reflection. When I was in Morocco, I collected a wide range of materials to help me learn classical Arabic, but I haven’t looked at them in over a year. I have a couple of hundred books in my room that I haven’t read, classics of poetry and world literature, books on Sufism and the Kabbalah and ancient mythology. Instead of these studies I care about, I surf the internet for current events. I consider this a bad habit. There will always be war, tyranny, and attempts at rebellion. The headlines might change, but the underlying reality is the same. Without a deeper understanding, the whirlwind of names, places and dates is just a veil over the truth.

As it happens, I’ve just watched two films that provide opposing answers to the dilemma of “in” or “out.” Both are the stories of young men who, dissatisfied with the experience their lives have given them, set off on journeys of self-discovery from which they will never return. Both are true stories that I was already familiar with, and that have attracted me in the past. One represents the extreme of “in” or withdrawal from humanity. The other represents the extreme of “out” or rebellion against injustice. Perhaps it’s no accident that I saw them together.

Into the Wild is the story of Christopher McCandless, a child of privilege who immediately upon graduating from college, sent his savings of $24,000 to charity and disappeared on a cross-country road trip. He abandoned his car in the desert and continued on foot. Persuaded that his parents’ obsession with wealth and prestige meant death to the soul, he turned his back on all that and began a search for what was real in himself. His journey, which lasted two years, took him across the American West, from Arizona to California to Montana, then down to Mexico and back to California again, before he achieved his dream of hitchhiking all the way north to the Alaskan wilderness. Along the way he met many people who opened their hearts to him, treating him as one of their own, and in one case even offering to adopt him as a son. Yet he always shied away from attachment, and moved on. In Alaska he hiked into the wilderness far enough to guarantee his isolation, and set up camp in an abandoned bus. Over the next few weeks he read Tolstoy and tested his survival skills with mixed results. He eventually decided to return to humanity because “happiness must be shared,” only to find that the way back was blocked in by a river in flood. He died a short time later from starvation and food poisoining, victim of bad judgment and bad luck, but apparently at peace.

Some people see McCandless as a self-indulgent kid who made a mistake, while others see him as a hero, going so far as to make pilgrimages to the bus where he spent his last days. His story was first told by journalist Jon Krakauer in an article for Outside magazine, which he later expanded into a book. When I first heard the story, I felt a mixture of jealousy and unease. I felt that I understood exactly what had motivated McCandless, because I’ve had those same urges myself. I’ve even acted on them at times, though I’ve never gone so far as to burn my last dollar, cut my driver’s license in half and walk away from everything I’ve known. The need for an initiatory test is a powerful feeling for a young man, going back to the earliest traditions of the hunter clans. Since our society doesn’t provide such a test, except perhaps for gangsters in prison or soldiers initiated into combat, the epic journey feels like a good way to discover the truth about ourselves. Such a journey has its moments of danger, because it is a confrontation with the unknown. When something happens that we are unprepared for, our response will tell us what we need to know. Can we act wisely in a crisis? Do we have the agility we need? Or are we prisoners of our fears, our false shell? The mixture of jealousy and unease I felt on hearing McCandless’ story was because he went all the way. I’ve tested myself as he did, but perhaps I held back? Perhaps the reason I’m here and he isn’t, is that he did what had to be done, while I was too cautious, and am still clinging to some residue of false hope?

Like Into the Wild, The Motorcycle Diaries is the story of a young man who walked away from his life of privilege to embark on a journey of self-discovery. Ernesto “Che” Guevara shared a number of qualities with Chris McCandless, such as impetuousness, physical courage, and extreme sincerity. Unlike McCandless, however, rejection of the life he had known wasn’t the reason for his journey in the first place, but rather came as the result of lessons learned. Setting out on an tour of South America with a friend from medical school, he came face to face with injustice. Crossing borders from Argentina into Chile, Bolivia and Peru, he learned to see all of Latin America as a nation with a common destiny. He met indigenous people who had been forced from their land, and saw the mistreatment of peasants looking for work at a mine. He told his friend, “If you think injustice can be defeated without picking up a gun, you’re fooling yourself.” When the two of them volunteered for work at a leprosy clinic, the river dividing the clinic from the patients’ dwellings became a symbol to Guevara of the iniquity in society as a whole. On the night before their departure, he impulsively swam across the river despite his severe asthma, so he could sleep with the patients on the other side. In this way, he completed his initiation by siding with the excluded and oppressed.

Unlike McCandless, Guevara survived his initiatory journey and returned to Argentina to complete his medical training. But he was soon off again, and this time he didn’t look back. He traveled north into Central America, participating for a time in the socialist experiment of Jacobo Arbenz Guzmàn in Guatemala. His commitment to social change deepened when he met Fidel Castro and joined the Cuban Revolution. He was proud of their first day of fighting when, landing on the Cuban shore and under fire from government troops, he dropped his medicine kit to grab a box of ammunition dropped by a fallen comrade. Like McCandless, Guevara never wavered once he had settled on a course of action, and like McCandless, the path he chose finally led to his death. The difference is that while McCandless sought to purify himself by withdrawing from society, Guevara sought to purify society through revolution, the ultimate form of engagement.

So which should I choose, solitude or engagement, “in” or “out”? Both Into the Wild and The Motorcycle Diaries provide examples I can admire. Both are the stories of young men who were able to challenge and inspire, transforming the lives of others through their example. McCandless helped a couple preserve their relationship when it was nearly destroyed by unspoken grief, and he showed an aging recluse how to live again despite losing his family in an accident years before. Guevara gave the lepers he worked with a new sense of humanity through the simple gesture of shaking their hands without a glove. Yet while both McCandless and Guevara inspired others, their stories are cautionary tales. Their inability to compromise drove one of them to armed rebellion, and the other to solitude in the wild. It drove them both to their deaths. One can only wonder, if they had been more moderate, perhaps they would have achieved more lasting change?

I love the ferocity of youth, but I’ve come to appreciate what the Buddha meant when he advised us to seek a middle way. “If you make the string too tight, it will break. If you make the string too loose, it won’t play.” So rather than choosing “in” or “out,” why not move in both directions at once? I’ve gotten involved in a group connected with the local Democratic Party that is discussing progressive values, like government in the public interest and respect for the earth. I plan to be participate in local elections whenever there are candidates I can support. I’ve applied to the Peace Corps, which would mean going to a country in the developing world to share my skills. And I’m committed to traveling again next year, whether I join the Peace Corps or not. Meanwhile, on the introspective side, I’ve told myself that I need to spend less time on the internet and more time doing in-depth reading. I should be writing articles that are more than flash responses to the latest headlines. There are thousands of people doing that already, and many of them are better at it than me. There’s no point in adding my voice to the mayhem. I need to get outside the echo chamber, so I can hear myself think. I will try to speak softly, in a way that gets heard above the noise. I will engage with the things I care about, reflect on it carefully, and communicate back to you.

My friend in Morocco is right. “In” or “out” is a false choice. What we need to do is to find a balance between the two. We need to engage without losing our center, and keep our center without cutting ourselves off from the world.